060215_YKMV_A10.pdf
June 2, 2015 • Page 10
 
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 Divine Time: Midler Keeps Quips
 Coming As She Hits The Road
 
 New At The Library
 Here’s what’s new at the Yankton
 Community Library this week:
 
 ADULT BOOKS
 
 I can do it.”
 She also knows that, at a
 moment when records don’t
 sell the way they used to,
 touring is key for performers, even the veterans.
 “Streisand, McCartney, Mick
 and the Stones — they all do
 well,” she said. “People come
 out for their shows.”
 As for more current pop,
 Midler said she keeps up
 with what’s happening and
 recognizes something of her
 famously eclectic approach
 in the work of Kelly Clarkson
 and Bruno Mars (who, like
 Midler, was born and raised
 in Honolulu).
 “But I don’t feel like I’m
 really in the swim,” she said,
 her golden-blond hair slicked
 back against her head. “I’m
 sort of on the shoals, just
 treading water. But I’m comfortable with that.”
 For her new concert,
 Midler said she was after
 something “smaller and a bit
 more intimate” than her last
 production, which she put
 on at Caesars Palace in Las
 Vegas beginning in 2008.
 “That show was gigantic. I
 could never top it,” she said.
 Asked whether she enjoyed
 the Vegas experience, Midler
 replied, “I enjoyed it up to a
 point. Then it was like, ‘Who
 do you have to sleep with to
 get out of here?’”
 Her stint in Sin City
 overlapped with the late’00s economic crash, which
 hit the rapidly developing
 town especially hard. “The
 construction cranes stopped
 in the middle of the night,
 and everybody walked
 off the job,” she recalled.
 “People with those subprime
 mortgages just got in their
 cars and left. I’d never seen
 anything like it.”
 
 BY MIKAEL WOOD
 
 • The Book of Aron by Jim Shepard; Fiction
 • Born of Defiance by Sherrilyn Kenyon; Fiction
 • Dry Bones by Craig Johnson; Fiction
 • The Forgotten Room by Lincoln Child; Fiction
 • The Guest Cottage by Nancy Thayer; Fiction
 • Inspector of the Dead by Bavid Morrell; Fiction
 • Lillian on Life by Alison Jean Lester; Fiction
 • Kill Fee by Owen Laukkanen; Fiction
 • The Memory Painter by Gwendolyn Womack; Fiction
 • Rock with Wings by Anne Hillerman; Fiction
 • The Rosie Effect by Graeme Simsion; Fiction
 • The Second Sister by Marie Bostwick; Fiction
 • The Trouble with the Truth by Edna Robinson;
 Fiction
 • Viper Game by Christine Feehan; Fiction
 • War of the Wives by Tamar Cohen; Fiction
 • You Will Never Find Me by Robert Wilson; Fiction
 • All Bets Are Off by Arnie & Sheila Wexler; Nonfiction
 • Hope by Amanda Berry & Gina DeJesus; Nonfiction
 • Ice Pops! by Cesar & Nadia Roden; Nonfiction
 • Legend by Eric Blehm; Nonfiction
 • A Lucky Life Interrupted by Tom Brokaw; Nonfiction
 • Out of Orange by Cleary Wolters; Nonfiction
 • Thieves’ Road by Terry Mort; Nonfiction
 • This Is What You Just Put in Your Mouth? by Patrick Di Justo; Nonfiction
 ADULT AUDIO BOOKS
 • A Dangerous Place by Jacqueline Winspear; Fiction
 • Don’t Go Home by Carolyn Hart; Fiction
 • The Forgotten Room by Lincoln Child; Fiction
 • Hot Pursuit by Stuart Woods; Fiction
 • To Kill a Mockingbird by Harper Lee; Fiction
 ADULT DVDS
 • American Sniper
 • Fifty Shades of Grey
 • Glee, the Final Season
 • You’re Not You
 YOUNG ADULT BOOKS
 • Apple and Rain by Sarah Crossan; Fiction
 JUNIOR BOOKS
 • Bayou Magic by Jewell Parker Rhodes; Fiction
 FAMILY DVDS
 • Wild Kratts: Shark-Tastic!
 
 © 2015, Los Angeles Times
 
 LOS ANGELES — Bette
 Midler knows what’s expected of her onstage in 2015.
 “I have to sing well, and I
 have to have a great band,”
 she said recently. “But my
 audience, they’ve known me
 at this point for 50 years.
 Whether I show up in a
 fishtail or not, I don’t think it
 matters to them.”
 The fishtail, of course, is
 a reference to her character
 Delores DeLago, the mermaid
 in a wheelchair who (mostly)
 sits out Midler’s new show.
 So what does it mean for this
 veteran entertainer to skip
 one of her most famous bits?
 “It means I had to fill 20
 minutes,” she answered with
 a throaty laugh.
 As quick with a quip as
 ever, Midler, 69, sat down in
 Hollywood for a chatty interview between rehearsals for
 what she’s calling the Divine
 Intervention tour.
 The road show, Midler’s
 first in a decade, follows
 the release last year of “It’s
 the Girls!,” a studio album
 collecting the singer’s vivid
 renditions of songs by girl
 groups from the Boswell
 Sisters to TLC.
 Given that it brought
 Midler back to music after
 a stretch spent primarily focused on acting (most
 notably in the acclaimed
 Broadway play “I’ll Eat You
 Last,” about the late talent
 agent Sue Mengers), “It’s
 the Girls!” could be thought
 to have set the table for the
 tour. Yet Midler admitted she
 had another, more pressing
 reason for heading out on the
 road now.
 “I’m old,” she said. “I
 don’t know how much longer
 
 Those on the glittering
 Strip weren’t insulated from
 the damage. By the middle
 of her show’s second year,
 Midler said, empty seats
 began creeping forward from
 the back of the auditorium.
 “I was like, ‘Oh, my God, this
 never happened to me in my
 life.’” Promoters asked to
 put her on a three-day week,
 which she couldn’t afford to
 do. “I had to pay everybody
 in the show, which was very,
 very expensive.” Midler
 finished out the gig in early
 2010, but it left a mark.
 “I still have $75,000 worth
 of pantyhose that nobody
 ever wore,” she said. “Can I
 offer them to you?”
 Olivier Goulet, one of the
 creative minds behind her
 new traveling show, said the
 concept this time was to
 “bring the theater to arenas,”
 which the production seeks
 to accomplish with a proscenium arch that doubles as a
 surface for various state-ofthe-art projections. There
 are also elaborate costumes
 and custom choreography
 by Toni Basil. Yet the focus,
 Goulet insisted, is Midler
 herself.
 “I wanted to do some new
 songs, and I wanted to hear
 a blasting band behind me,”
 the singer said. “I hired some
 horns and a real funk rhythm
 section, which is interesting because I’m not really a
 funkmeister. But I have my
 dreams.”
 Those new songs include
 selections from “It’s the
 Girls!,” which is a far more
 imaginative record than it
 might’ve been. For many
 artists late in their careers,
 the covers album is where
 inspiration goes to die (or at
 least retire).
 
 Yet unlike, say, Rod Stewart’s snoozy series of Great
 American Songbook discs,
 Midler’s project puts across
 real feeling for its material —
 no surprise, perhaps, given
 that she’s been doing girlgroup tunes since her 1972
 debut, “The Divine Miss M,”
 which paid homage to the
 Dixie Cups and the Andrews
 Sisters.
 The album, produced by
 Marc Shaiman, also makes
 unlikely connections between
 styles, as in a country-fried
 take on the Supremes’ “You
 Can’t Hurry Love” and TLC’s
 mid-’90s R&B hit “Waterfalls,”
 remade here as a mournful
 supper-club ballad.
 Midler said that interpretive ability has always come
 naturally to her, in large part
 because of her childhood
 in Hawaii, where pop radio
 in the 1950s “was about 10
 years behind the time.”
 So although she “came of
 age in the rock ‘n’ roll world,”
 as she put it, she’d earlier
 been exposed to music from
 the ‘20s and ‘30s. “I’m really a
 bridge,” she said.
 And where does that
 bridge lead next? She’d
 like to make a jazz record,
 she said, and sing with an
 orchestra, something she
 got a taste of at the Academy
 Awards in 2014 when she
 performed “Wind Beneath My
 Wings” during the annual “In
 Memoriam” sequence.
 “You haven’t heard
 anything until you’ve stood
 in front of 90 pieces,” Midler
 said. “The sound was like a
 wave.”
 Or maybe she’ll go in a
 different direction. “I know
 a lot of Hawaiian music,
 which I never sang,” she said.
 “Somebody call Bruno!”
 
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